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(sub)Text Podcast

(sub)Text Podcast

Deep Dives into Literature and Film

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January 11, 2021

(post)Script Post-Musée

Wes and Erin continue their discussion of W.H. Auden’s “Musée des Beaux Arts,” hard-to-pronounce last names, and much more.

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December 28, 2020

(post)script: Post-Awful

Wes and Erin continue their discussion of “The Awful Truth”; how hard it is to do anything — much less record a podcast — on a Tuesday afternoon; His Girl Friday, Bringing up Baby, and the comfort of watching old movies; the surprising way women are represented in old film; how a character can be robbed of their vitality and agency when made the representative of a class or political goal; Wes’s hypochondriacal worries about early onset dementia; and Erin’s poem about the movie, a “sestina on steroids.”

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December 14, 2020

(post)script: Post-Gabler

We continue our discussion of Hedda Gabler. Wes reads more from contemporaneous reviews (“Hedda Gabler is manifestly a lunatic of the epileptic class”) and Erin from Elizabeth Hardwick’s essay on the play (Lovborg’s being shamed by Thea’s concern for his sobriety is an excuse in a way, a “violation of his rights to ruin”). We talk about the “The Thin Man” — the winning dynamic between William Powell and Myrna Loy, the film’s deviation from a typical romantic comedy, and the alien familiarity of old movies. We continue with a discussion of the best four film stretch by a director in history; our upcoming episode on “The Awful Truth”; Erin’s enthusiasm for Screwball comedies; the approaching one year anniversary of our first recording; Erin’s money pit in her house of gold; how the podcast got started, and the night we first met (at a viewing party for “North by Northwest”); Wes’s finding a pile of books on the sidewalk, including Alexander Von Humboldt’s “Personal Narrative of a Journey to the Equinoctial Regions of the New Continent”; and finally, Samuel Pepys’s propensity for rogering.

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November 30, 2020

(post)script: Post-Budd

Wes & Erin continue their discussion of Billy Budd; movies they watched on Halloween, including the highly related titles “Libeled Lady” and “The Exorcist”; Erin’s fear of horror movies; Wes’s recent book review concerning meritocracy and his fortuitous use of a jump scare; Erin’s poetry writing; our new episode release schedule, necessary for the preservation of our sanity and to savor the readings; and Jewish leading men in Hollywood.

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October 25, 2020

(post)script: Post-Woman

We’re back! Finally. Wes reveals that he doesn’t know the title of the film. We discuss why we avoided saying explicitly just what sort of “influence” Mabel is under. We talk about Charlie Kaufman movies and the possibility of doing an episode on “I’m Thinking of Ending Things,” the origins of the word “kismet,” and the fact that Erin can inadvertently kill famous people just by thinking about them. Erin talks about her love of killer whales and we wrongly tease “Billy Budd” as our next episode. It’s actually “The Great Gatsby.” Then “Billy Budd.”

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October 8, 2020

(post)script: Post-Graduate

Is the podcast too long? Do we do too much synopsis? Erin reads more of Roger Ebert’s funny review of the film, and we try to figure out whether Benjamin an insufferable creep. We express some sympathy for Mrs. Robinson, and discuss whether she’s the only person in the movie you’d want to have a conversation (or drink) with. We thank new patrons, and Erin talks about Clouzot and back-to-school preparations. Wes is going to be busy this fall but will soon be moving to The Canary Islands. Next up, “The Great Gatsby.”

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October 4, 2020

(post)script: Post-Second Coming

Wes & Erin discuss how the episode went; why we recorded one episode per stanza about a a 22 line poem; how popular we are in New Zealand; our cover art, and Wes’s nefarious plan to manipulate people into caring about literature via vintage advertising; our love of “The Odyssey” and “The Iliad”; and whether we should do an episode on Charles Bukowski.

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July 4, 2020

Welcome to (post)Script

Subscribe to (post)script at Patreon. Listen to every fifth episode here.

Shows consist of an extra 15 minutes of discussion following the regular episode. Sometimes we’ll continue talking about the topic for that week. Sometimes we’ll discuss what else we’ve been reading, writing, and thinking about. When the time comes, we’ll be responding to listener emails. And sometimes we’ll talk a little bit about ourselves. Subscribing will also get you other bonus content, including full episodes and the chance to chance to engage with the hosts.

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Subscribing to Bonus Content

This podcast is a labor of love, but even love’s labors are lost when time is money and money is a necessity. So it’s always a good time to help keep us going. If you subscribe on Patreon, you will get bonus episodes and other content, including responses to listener email and our after-show (post)script. You can also just make a one-time donation. It takes a lot of work to prepare to have a high-level discussion, every one to two weeks, of a new text. So if you enjoy or benefit from the show, please chip in. But in any case, thank you for listening!

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The Meaning of All This

(sub)Text is a podcast about the human condition, and what we can learn about it from the greatest inventions of the human imagination: fiction, film, drama, poetry, essays, and criticism. Each episode, philosopher Wes Alwan and poet Erin O’Luanaigh explore life’s big questions by conducting a close reading of a text or film and co-writing an audio essay about it in real time.

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You can find us on the Podcasts app on your iPhone; on Spotify or by using our RSS feed on other podcast apps. Subscribing on Patreon will give you a custom feed that includes (post)script and all bonus content. You can also follow us on Facebook and Twitter, or subscribe to email updates.

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